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California
writer/singer-songwriter BETH ELLIOTT is one of
the most accomplished lesbian activists ever to
be blacklisted by her own movement. The first person
younger than 21 ever to be elected an officer of
a Daughters of Bilitis local chapter, she was a
founding member of the Alice B. Toklas Memorial
Democratic Club, an alternate delegate for Shirley
Chisholm in the 1972 California Democratic primary,
and a Director of the California Committee for Sexual
Law Reform, the lobbying organization that won repeal
of California’s sodomy laws in 1975. Already
having run afoul of radical lesbian feminist orthodoxy
and its enforcers, she didn’t work in that
(metaphorical) town again till 1983, when Telewoman
brought her back as a columnist and reviewer.
Since then, her essays have appeared in publications
from off our backs on the Left to FrontPage
Magazine on the Right, and she wrote a weekly
contrarian commentary, “Sapphistication,”
for the Bay Area Reporter for three and a
half years during the mid-1990s. She has been anthologized
in Bi Any Other Name and Closer to Home,
and was the as-told-to biographer of Mirrors:
Portrait of a Lesbian Transsexual.
The “gray sheep” of a pioneer Marin
County family, descended from Scottish-English Virginia
colonists on one side, and Northern Italian immigrants
who became Napa Valley winemakers on the other,
Beth Elliott is settling into her role as her California
family’s Eccentric Maiden Aunt Nobody Talks
About. Don’t Call It
Virtual is her first published novel; she
is working on its prequel, Target Audience,
as well as a collection of experimental erotic short
stories.
You can find
Beth’s opinions on an unpredictable variety
of subjects in her blog, The
Beth Zone.
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