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“I
want to write about people I love, and put them
into a fictional world spun out of my own mind,
not the world we actually have, because the world
we actually have does not meet my standards. Okay,
so I should revise my standards; I’m out
of step. I should yield to reality. I have never
yielded to reality. That’s what SF is all
about. . . . This is why I love SF. I love to
read it; I love to write it. The SF writer sees
not just possibilities but wild possibilities.
It’s not just ‘What if’—it’s
‘My God; what if’—in frenzy
and hysteria. The Martians are always coming.”
— Philip K. Dick
Wolfgang Amadeus Mozart walks into the sex change
clinic, determined to have his “sprouter” snipped off. So begins The
Amadeus Net, a satirical novel set
in the year 2028, which explores art, love, and
identity at the end of the world. For more than
two centuries, the one-time wunderkind has kept
his existence secret while he tried to understand
his immortality. Living in style through funds
raised by selling “lost” Mozart works, he has also helped to create Ipolis,
a utopian city-state, after the cataclysmic Shudder,
a global disaster caused by an asteroid strike
in 2015.
But a few complications
mar Mozart’s utopia. The woman he loves
is a lesbian, which, paradoxically, makes him
forget about his sex-change plans. The world’s
greatest reporter knows he’s still alive
and will stop at nothing to expose him. The stakes
are higher than he knows, because if the reporter
finds him, so will the spy planning to sell Mozart’s
DNA to the highest bidder. Oh, and, by the way,
the world might end in seven days. His only allies
are a psychotic American artist, a bland Canadian
diplomat, and the city itself: a sapient, thinking
machine that is screwing up as only a sapient,
thinking machine can.
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Readers’ reviews:
“Strange?
Yes. Implausible? No, because Rayner successfully
crafts an inherent logic into his surreal story
with a collage of plausible first-person narratives,
which includes the first-person ‘thinking
machine’ narrative of the actual setting
of the story—the post-apocalyptic, utopian
city-state of Ipolis, located in the middle of
the Pacific Ocean.
“Furthermore,
Rayner’s flair for sustained humor, and
compelling story telling enhances the preposterous
premises, characterizations, and worthy themes
of art, love, and the search for self-identity
and sex in the day-to-day existence of an eclectic
cast of characters making their way through the
end of the world.”
— Janet Paszkowski, Flash
Me Magazine (April 2009)
“This
is a wonderful book. It accomplishes exactly what
I look for in a good SF novel. Rayner creates
an interesting, strange, and yet somewhat plausible
world and then populates that world with compelling
characters. I found myself caring about these
characters, not just the inexplicably immortal
Mozart, but all the motley bunch that have found
themselves citizens of Ipolis, including the character
of Ipolis her/he/itself. (It stands to reason
that, if smart people can be real boneheads, that
honour shouldn’t be limited to just biological
sentience.) Rayner managed the progress of the
story with a sure hand and flare for humour. I
enjoyed reading The Amadeus Net very
much and am looking to future titles from this
author.” — John Sloan
“A comic
dance in a post-apocalyptic utopia.” —
Debra Hamel
“The
Amadeus Net manages to do in a very short
space what some novel series don’t
manage to do: enthrall the reader on every page
with yet one more twist in an increasingly unlikely,
yet strangely compelling story. . . . [It] starts
out with a preposterous and surreal premise and
ends with piercing insight into the abjectly pointless
pursuits to which many of us devote our entire
lives. It's a book about what to believe in when
nothing is believable.” —
Don Muchow, editor, Would That It Were
“The
Amadeus Net, the debut novel from [Canadian
author Mark A.] Rayner, is a bizarre, often hilarious
piece of futuristic satire. With an imagination
reminiscent of Philip K. Dick, a satirical bent
a la Tom Robbins, and a sense of humour derived
equally from episodes of The Goon Show
and the literature of Neal Stephenson, The
Amadeus Net is an offbeat and wonderfully
droll exercise in sustained amusement.
“As
in the works of Philip K. Dick, what makes Rayner’s
story engaging is his unadulterated disinclination
to wink condescendingly to the audience. While
not quite the stylist Dick was, Rayner commits
himself absolutely to his narrative; no matter
how outlandish and eccentric Mozart’s exploits
become, Rayner makes sure that the world he creates
functions under its own inherent logic.
“At
a time when the bestseller lists are dominated
by the continuous, unenthusiastic, and barely
literate conspiracy ramblings of a Hardy Boys
wannabe, a story that makes you think and laugh
is almost a hidden treasure. The Amadeus Net
is a wonderful first novel, thoughtful and engaging.
To close on the hopeful words of Mozart himself,
‘Everyone laugh! Fart, and laugh! Then compose
something beautiful.’” —
Corey Redekop
| trade
paperback
5.25" X 8.25"
250 pp.
list price $19
ISBN-13:
978-0-9752540-1-1
ISBN-10: 0-9752540-1-4
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